Wednesday, December 30, 2015

Modern Same Sex Wedding at Eolia Mansion, Connecticut Fine Art Wedding Photography

RYALE_Eolia-001 RYALE_Eolia-02 RYALE_Eolia-02a RYALE_Eolia-02b RYALE_Eolia-03 RYALE_Eolia-04 RYALE_Eolia-05 RYALE_Eolia-06 RYALE_Eolia-07 RYALE_Eolia-08 RYALE_Eolia-09 RYALE_Eolia-09a RYALE_Eolia-0010 RYALE_Eolia-0011 RYALE_Eolia-0012 RYALE_Eolia-0013 RYALE_Eolia-0014 RYALE_Eolia-0015 RYALE_Eolia-0016 RYALE_Eolia-0017 RYALE_Eolia-018 RYALE_Eolia-0019 RYALE_Eolia-020 RYALE_Eolia-0021 RYALE_Eolia-022 RYALE_Eolia-0023 RYALE_Eolia-0024 RYALE_Eolia-0025 RYALE_Eolia-0026 RYALE_Eolia-0027 RYALE_Eolia-0028 RYALE_Eolia-0029 RYALE_Eolia-0030 RYALE_Eolia-0031 RYALE_Eolia-0032 RYALE_Eolia-0032a RYALE_Eolia-0033 RYALE_Eolia-0034 RYALE_Eolia-0035 RYALE_Eolia-036 RYALE_Eolia-037  

For this bridal editorial we drew inspiration from two fashion forward brides with distinct aesthetics combining their vision for a gorgeous winter wedding. We wanted a very clean palette playing with tone on tone in varying shades and textures of black and white with pops of red, green and gold as the only color. In our vision one of our brides was sleek and modern, choosing two architectural dresses and simple nude Valentino pumps. Her bouquet and ring were both structural and modern complimenting her aesthetic. We chose two sexier illusion dresses for our second bride, pairing them with strappy gold Jimmy Choo’s and a lush red bouquet and vintage inspired ring from Claire Pettibone’s new collection for Trumpet and Horn. We were drawn to the idea of two brides selecting their engagement rings from the same designer so they complimented each other, while still feeling uniquely them. We carried the juxtaposition of the sexy and modern aesthetics throughout the details of the editorial in the tablescape and the cocktail table with deep red florals with sleek marble chargers, and jewel toned hors d’oeuvres in cut glass and white vessels. We ended the editorial with a romantic horse and carriage, the perfect way to make your wedding exit befitting for a Victorian Mansion, decorated in architectural and minimal floral elements created by Ariel Dearie.

Event Design: Ebb & Flow 
Floral Design: Ariel Dearie Flowers 
Wedding Dress: Kleinfeld Bridal 
Rings: Claire Pettibone For Trumpet And Horn 
Catering: On The Marc Events 
Makeup: Anjeh Bourne 
Hair: Shavaughn Byrd 
Invitations And Calligraphy: Written Word Calligraphy 
Venue: Eolia Mansion | Chairs: Lillian August 
Crystal Candelabra: Connecticut Rental Center 
Horse And Carriage: Cedar Knoll Farm 
Photography Assistance: Rachel Watkinson 
Rentals: Ebb & Flow 
Ribbon And Runner: Silk And Willow 
Ring Boxes: The Mrs. Box 
Wedding Dress #1: Gabriela Cadena  
Wedding Dress #2: Rivini 
Wedding Dress #3: Zuhair Murad 
Wedding Dress #4: Tony Ward

Monday, December 28, 2015

Behind The Frame: For the Love of Grain


As a film shooter it is no secret that I am a lover of grain.  I still remember the first photograph I ever developed myself in the darkroom, a photo of my dog of course, and watching in awe as the grains started to appear like magic on my photo paper in the chemicals.  I was so excited I actually yanked the photo out of the developer and rushed it out of the darkroom to get a better look at it, and it quickly turned purple than black since I hadn't fixed it yet in the chemical bath- whoops!  I was 11, you live you learn!  Now I have a wonderful lab in California who develops and scans my negatives for me, but I still have that same excitement when I'm downloading scans waiting to see my photos.  For my particular aesthetic, color film really shines in natural light.  Film loves natural light and my color photos are all very fine grained images shot at 400 ISO.  The larger the number on the ISO the more grainy the film will be.  During the evening portion I like to shoot some dancing and cake cutting on ilford 3200, which creates this beautiful grain.  There's something wonderfully timeless about shooting ilford 3200 because it easily looks like it could have been shot yesterday or 50+ years ago.  The ISO determines how sensitive a film is to light, the lower the ISO the finer the grain and the less sensitive it is, the higher the ISO the more sensitive it is and the rougher the grain.  I shot this with a video light at box speed, meaning I metered for the correct ISO, which was 3200 at F2 at 1/60th of a second.  If I had been shooting 400 speed film I would have needed to shoot around 1/8 of a second, which would have been too slow and the photo would be blurry.  One of the advantages to digital is being able to shoot at higher ISO's without getting all the grain and that's why I do shoot more digital at receptions, but I always take at least a few rolls of Ilford 3200 to create these timeless grainy photos.

Behind The Frame: Wedding Pups


Is there anything greater than a puppy at a wedding?  It combines my two most favorite things to photograph!  Including dogs in the wedding day can be tough.  Dogs don't always do what we want them to and seem to always do exactly what we don't want them to do, like pee on a dress, poop in the aisle or munch on a bouquet.  However it can be totally worth it to get a shot like this and include your fur babies in your wedding day.  When photographing dogs and babies my number one rule is to get down to their level.  I have a few other photos taken from above that I do love too because you can see more of the Frenchie's tutu, but the "hero" shot for me is this one, where I was laying down on the ground right at face level making kissy sounds and holding a treat above the camera.  As I've mentioned before, I took a few shots and this one was the winner for me because I loved the soulful look in the Frenchie's eyes- as if she is reaching out through the photo and making eye contact.  The bride and groom are behind them so there is a hint of context even in the detail shot that these are the bride and groom's dogs and I posed the female dog in front of the bride and the male in front of the groom.  Also a little tip to give to you clients- buy a cute leash/collar or use a ribbon as the leash on the wedding day.  Nothing ruins a beautiful composition like a bright red frayed rope leash in the background!

Wednesday, December 23, 2015

Sandy and Kain's 1 Year Anniversary DUMBO Anniversary Session, Brooklyn Fine Art Wedding Photography

One of my favorite things about working in wedding and lifestyle photography is getting to know my clients and be part of their families year after year.  I had the honor of shooting Sandy and Kain's engagement party in 2013 at Lenz Winery, wedding in 2014 at Oheka Castle and now their one year anniversary in DUMBO.  We had such a fun afternoon playing with their sweet pup in Brooklyn Heights and DUMBO and Sandy brought the most gorgeous bouquet perfect for the holidays by Ava Flora.  Hope everyone has been enjoying a Happy Hannukah and has a Merry Christmas this weekend!

Pin It button on image hover